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PENTAGON 7TH MINI ALBUM [ THUMBS UP! ]
TRACK LIST
01. 청개구리 - title
02. 저두요!! (Just do it yo!!)
03. SKATEBOARD
04. 밤에 비가 내리면
05. Thumbs Up!
It arrived intact with no damage and I love it!
ordered this album a little late but this is one of my favorite pentagon albums so i had to have it!!
came in great condition and right on time :)
Everything about this album just feels right. This album makes me wanna skateboard, even though I can't.
For all its status as a revolutionary leap forward in the K-pop genre, Pentagon's 7th Mini album is also a work whose innovations are defined by its very reverence for Classical traditions. Its first Song, for example, is bold and startling precisely because of the way that that it jars our expectations of popular form. Its "anti-Pop Ethos" is like an apotheosis of the 21th century's K-POP formula; it uses our knowledge of the ancient Universe to create a dark romp whose ironic humor strives toward Hedbergian heights. Both the Melody and the famous anthemic chorales adhere to a theme-and-variations procedure just closely enough to lend coherence to what might seem unwieldy to the ear of an ordinary listener. Indeed, this very inclusiveness could be seen as an egalitarian statement—that despite the work's unprecedented extremes of complexity and expression, it should still be palatable to any given listener.
Amazing
It arrived intact with no damage and I love it!
ordered this album a little late but this is one of my favorite pentagon albums so i had to have it!!
came in great condition and right on time :)
Everything about this album just feels right. This album makes me wanna skateboard, even though I can't.
For all its status as a revolutionary leap forward in the K-pop genre, Pentagon's 7th Mini album is also a work whose innovations are defined by its very reverence for Classical traditions. Its first Song, for example, is bold and startling precisely because of the way that that it jars our expectations of popular form. Its "anti-Pop Ethos" is like an apotheosis of the 21th century's K-POP formula; it uses our knowledge of the ancient Universe to create a dark romp whose ironic humor strives toward Hedbergian heights. Both the Melody and the famous anthemic chorales adhere to a theme-and-variations procedure just closely enough to lend coherence to what might seem unwieldy to the ear of an ordinary listener. Indeed, this very inclusiveness could be seen as an egalitarian statement—that despite the work's unprecedented extremes of complexity and expression, it should still be palatable to any given listener.
Amazing